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 · 110 ratings  · 14 reviews
Start your review of āĻĒাāĻ˛াāĻŦাāĻ° āĻĒāĻĨ āĻ¨েāĻ‡
Wasee
Apr 10, 2017 rated it liked it
āĻŦেāĻļ āĻœāĻŽে āĻ‰āĻ েāĻ›িāĻ˛ āĻ°āĻšāĻ¸্āĻ¯। āĻ•াāĻšিāĻ¨ীāĻ° āĻ—āĻ¤ি, āĻŸূāĻ‡āĻ¸্āĻŸ,āĻĒāĻ°িāĻŖāĻ¤ি āĻ¸āĻŦāĻ‡ āĻ­াāĻ˛ো āĻ˛েāĻ—েāĻ›ে। āĻ¸েāĻ•াāĻ°āĻŖেāĻ‡ āĻŦেāĻļ āĻ•িāĻ›ু āĻœাāĻ¯়āĻ—াāĻ¯় āĻ†āĻš্āĻ˛াāĻĻী āĻ•āĻĨাāĻŦাāĻ°্āĻ¤া āĻāĻĄ়িāĻ¯়ে āĻ¯েāĻ¤ে āĻ•āĻˇ্āĻŸ āĻšāĻ¯়āĻ¨ি।

āĻŽিāĻ¤িāĻ¨ āĻŽাāĻ¸ি āĻšāĻ°িāĻ¤্āĻ°āĻŸা āĻĒāĻ›āĻ¨্āĻĻ āĻšāĻ¯়āĻ¨ি। āĻāĻ§āĻ°āĻ¨েāĻ° āĻ—োāĻ¯়েāĻ¨্āĻĻা āĻšāĻ°িāĻ¤্āĻ° āĻ¨া āĻšāĻ¯়ে āĻŦāĻ°ং āĻ¸্āĻŸ্āĻ¯াāĻ¨্āĻĄ āĻ…্āĻ¯াāĻ˛āĻ¨ āĻĨ্āĻ°িāĻ˛াāĻ° āĻšāĻ˛ে āĻ†āĻ°āĻ“ āĻœāĻŽāĻ¤ো āĻŦোāĻ§āĻšāĻ¯়!

Nusrat Mahmood
āĻ†āĻŽাāĻ° āĻ§াāĻ°āĻŖা āĻ›িāĻ˛ āĻŽিāĻ¤িāĻ¨āĻŽাāĻ¸ি āĻ›োāĻŸāĻĻেāĻ° āĻ—োāĻ¯়েāĻ¨্āĻĻা!
GOURAB DUTTA
Jun 01, 2020 rated it it was amazing
Recommends it for: anyone above the limit of adult age.
Recommended to GOURAB by: my father
This book is one of the most acknowledged "Mitin Masi" series by Suchitra Bhattacharya. Mitin Masi is a female detective created by Suchitra Bhattacharya. she has solved numerous cases. Her adventuresare enjoyable by children and adults. Now, this story has a bit adult side. So parental-guidance is necessary for minors. i think all books in the series are equally thrilling and enjoyable.
As it is a detective story so obviously Mitin Masi is my favorite.
this book is about a newly wed wife who is
This book is one of the most acknowledged "Mitin Masi" series by Suchitra Bhattacharya. Mitin Masi is a female detective created by Suchitra Bhattacharya. she has solved numerous cases. Her adventuresare enjoyable by children and adults. Now, this story has a bit adult side. So parental-guidance is necessary for minors. i think all books in the series are equally thrilling and enjoyable.
As it is a detective story so obviously Mitin Masi is my favorite.
this book is about a newly wed wife who is being blackmailed by someone related to her family, being told that her past histories will be exposed, that will destroy hr marital life; unless she pays the ransom.
The characters are so real that it will make you imagine that you have been put in the crime plot. all characters will have distinct face in your mind while reading this book.
The story-line is very much gripping, that when i bought this book, i kept on turning the pages, even in time of my studies, hiding from my parents,lol. In some stories you can guess who is the criminal. but the main attraction of this book is , you can't even guess who is the criminal, and more interestingly, you will be spell-bound when you know the actual brain behind those crimes. my favorite part is at the ending of the book when you get to know who is the real villain. I personally could not dislike any part of the book. but what i disliked is the mischievous behavior of the victim, which you will know when you read it. i disliked victim on principles. however the author has played beautifully with the name of the male characters, which i think will be loved by anyone who loves bengali and has a large vocabulary storage.
once again the story has some an essence adult feeling, emotions and some adult relationships. so parents should guide their children to read this book. but as a whole, you will just love the book.
I will give 10 out of 10 to this book and 5 stars.
...more
Sreya Mukherjee
Palabar Poth Nei by Suchitra Bhattacharya is a romantic thriller novel in which Bhattacharya introduced her female sleuth, Pragyaparomita Mukherjee a.k.a Mitin Mashi. The plot revolves around a newly married woman who is blackmailed by an unknown caller for her allegedly 'immoral' past. The plot is riveting and the writing is vivid, which never for once loses its pace. The novel does not merely focus on solving the mystery and unveiling the identity of the mysterious blackmailer rather Bhattacha Palabar Poth Nei by Suchitra Bhattacharya is a romantic thriller novel in which Bhattacharya introduced her female sleuth, Pragyaparomita Mukherjee a.k.a Mitin Mashi. The plot revolves around a newly married woman who is blackmailed by an unknown caller for her allegedly 'immoral' past. The plot is riveting and the writing is vivid, which never for once loses its pace. The novel does not merely focus on solving the mystery and unveiling the identity of the mysterious blackmailer rather Bhattacharya in her signature style explores the intricate labyrinth of human nature and relationships. She also compels the reader to rethink the conventional concepts of morality and impurity. None of the characters could be divided into absolutely good and absolutely bad. There is no black and white dichotomy in the narrative rather each of the characters dwell in a grey zone which makes them complex and consequently real, flesh and blood human beings.
I have never been disappointed by any work of Suchitra Bhattacharya and Palabar Poth Nei is no exception. It's a complex and wonderful novel and additionally it introduces my most favourite character, Mitin Mashi. Reading this novel had been a delectable experience for me and I might return to it again, sometime in future.
My Rating - 5 ⭐
...more
ËsrÃĸt  JÃĄrÃ¯Ãą
Jan 26, 2020 rated it really liked it
āĻāĻ‡ āĻĒ্āĻ°āĻĨāĻŽ, āĻĒ্āĻ°āĻĨāĻŽ āĻ•ি?āĻš‍্āĻ¯া āĻāĻ‡ āĻĒ্āĻ°āĻĨāĻŽ āĻŽিāĻ¤িāĻ¨ āĻŽাāĻ¸ী āĻ“āĻ°āĻĢে āĻĒ্āĻ°āĻœ্āĻžাāĻĒাāĻ°āĻŽিāĻ¤াāĻ° āĻŸিāĻ•āĻŸিāĻ•িāĻ—িāĻ°ি āĻĒāĻĄ়āĻ¤ে āĻ¯েāĻ¯়ে āĻ†āĻĢāĻ¸োāĻ¸ āĻ•āĻ°িāĻ¨ি,āĻŽুāĻ– āĻ•ুঁāĻšāĻ•ে āĻ¯াāĻ¯়āĻ¨ি,āĻ োঁāĻŸ āĻĢুāĻ˛িāĻ¯়ে āĻ¨িāĻœেāĻ° āĻĒāĻ›āĻ¨্āĻĻāĻ•ে āĻ¨িāĻ¨্āĻĻে āĻŽāĻ¨্āĻĻ āĻ•āĻ°āĻ¤ে āĻšāĻ¯়āĻ¨ি.

āĻ‰āĻĢāĻĢ্ āĻŽāĻ¨ে āĻšāĻš্āĻ›িāĻ˛ āĻŽিāĻ¤িāĻ¨েāĻ° āĻšাāĻ¤ āĻ—āĻ˛ে āĻāĻŦাāĻ° āĻ িāĻ• āĻĒাāĻ˛াāĻŦাāĻ° āĻĒāĻĨ āĻŦেāĻ° āĻ•āĻ°ে āĻ¨িāĻŦে āĻ…āĻĒāĻ°াāĻ§ী āĻ¨āĻ¯়āĻ¤ো āĻ†āĻŽাāĻ°āĻ‡ āĻĒাāĻ˛াāĻ¤ে āĻšāĻŦে (āĻ†āĻ°েāĻ•āĻŸা āĻŦাংāĻ˛া āĻ¸িāĻ°িāĻ¯়াāĻ˛েāĻ° āĻšাāĻ¤ āĻĨেāĻ•ে āĻ†āĻ° āĻ•ি!) āĻ•িāĻ¨্āĻ¤ু āĻļেāĻˇāĻ°āĻ•্āĻˇা āĻšāĻ¯়েāĻ›ে āĻāĻŦাāĻ°

Omar Iqbal
Jun 11, 2020 rated it it was amazing
āĻ†āĻŽাāĻ° āĻĒāĻĄ়া āĻĒ্āĻ°āĻĨāĻŽ āĻŽিāĻ¤িāĻ¨ āĻŽাāĻ¸ীāĻ° āĻŦāĻ‡, āĻ°āĻšāĻ¸্āĻ¯, āĻŸুāĻ‡āĻ¸্āĻŸ , āĻĨ্āĻ°িāĻ˛ āĻ­াāĻ˛োāĻŽāĻ¤োāĻ‡ āĻ†āĻ›ে, āĻ‰āĻœ্āĻœ্āĻŦāĻ˛ āĻšāĻ¯়ে āĻĢুāĻŸে āĻ‰āĻ েāĻ›ে āĻŽিāĻ¤িāĻ¨ āĻŽাāĻ¸ি āĻšāĻ°িāĻ¤্āĻ° āĻŸি। āĻ°āĻšāĻ¸্āĻ¯েāĻ° āĻĒাāĻļাāĻĒাāĻļি āĻ˛েāĻ–িāĻ•া āĻ‰āĻ¨্āĻŽোāĻšāĻ¨ āĻ•āĻ°েāĻ›েāĻ¨ āĻŽাāĻ¨āĻŦ āĻŽāĻ¨েāĻ° āĻ°āĻšāĻ¸্āĻ¯āĻŽāĻ¯় āĻĻিāĻ•āĻ—ুāĻ˛োāĻ“। āĻĒাঁāĻš āĻ°েāĻŸিং āĻĻেāĻ¯়াāĻ‡ āĻ¯াāĻ¯়।
Shaonmita
āĻĻুāĻ‡ āĻĻেāĻŦো āĻ¨া āĻ¤িāĻ¨ āĻĻেāĻŦো, āĻĻোāĻ¨াāĻŽোāĻ¨া āĻ•āĻ°āĻ¤ে āĻ•āĻ°āĻ¤ে āĻ¤িāĻ¨āĻ‡ āĻĻিāĻ¯়ে āĻĻিāĻ˛াāĻŽ। 'āĻŽিāĻ¤িāĻ¨āĻŽাāĻ¸ি' āĻāĻ° essence āĻŸা āĻ¨া āĻĨাāĻ•āĻ˛েāĻ“ āĻ—āĻ˛্āĻĒেāĻ° āĻ¸্āĻŦাāĻ­াāĻŦিāĻ• āĻ—āĻ¤ি, āĻ…āĻĒāĻ°াāĻ§ীāĻ° āĻ†āĻ¸āĻ˛ āĻĒāĻ°িāĻšāĻ¯়, āĻāĻ—ুāĻ˛ো 3 Star rating āĻĒাāĻ“āĻ¯়াāĻ° āĻ¯োāĻ—্āĻ¯। āĻĻুāĻ‡ āĻĻেāĻŦো āĻ¨া āĻ¤িāĻ¨ āĻĻেāĻŦো, āĻĻোāĻ¨াāĻŽোāĻ¨া āĻ•āĻ°āĻ¤ে āĻ•āĻ°āĻ¤ে āĻ¤িāĻ¨āĻ‡ āĻĻিāĻ¯়ে āĻĻিāĻ˛াāĻŽ। 'āĻŽিāĻ¤িāĻ¨āĻŽাāĻ¸ি' āĻāĻ° essence āĻŸা āĻ¨া āĻĨাāĻ•āĻ˛েāĻ“ āĻ—āĻ˛্āĻĒেāĻ° āĻ¸্āĻŦাāĻ­াāĻŦিāĻ• āĻ—āĻ¤ি, āĻ…āĻĒāĻ°াāĻ§ীāĻ° āĻ†āĻ¸āĻ˛ āĻĒāĻ°িāĻšāĻ¯়, āĻāĻ—ুāĻ˛ো 3 Star rating āĻĒাāĻ“āĻ¯়াāĻ° āĻ¯োāĻ—্āĻ¯। ...more
Epil Mandi
āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸েāĻ° āĻĒ্āĻ°েāĻ•্āĻˇাāĻĒāĻŸ āĻ­াāĻ˛ো। āĻŸাāĻ¨āĻŸাāĻ¨ āĻ‰āĻ¤্āĻ¤েāĻœāĻ¨াāĻ“ āĻ†āĻ›ে। āĻ•িāĻ¨্āĻ¤ু āĻ¸āĻŦ āĻšāĻ°িāĻ¤্āĻ°েāĻ° āĻ…āĻ¤িāĻ°িāĻ•্āĻ¤ āĻŦ্āĻ¯āĻ•্āĻ¤িāĻ—āĻ¤ āĻĻিāĻ• āĻĻেāĻ–াāĻ¨োāĻŸা āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸āĻŸিāĻ•ে āĻ¨ীāĻ°āĻ¸ āĻ•āĻ°ে āĻĻিāĻ¯়েāĻ›ে। āĻŽোāĻŸেāĻ° āĻ‰āĻĒāĻ° āĻŽāĻ¨্āĻĻ āĻ¨া।
āĻĒুāĻ¨āĻļ্āĻš - ā§§ā§Ŧ āĻŠāĻ°্āĻĻ্āĻ§ āĻŦāĻ¯়āĻ¸্āĻ•āĻĻেāĻ° āĻœāĻ¨্āĻ¯।
Rudra Chowdhury
āĻĒ্āĻ°াāĻĒ্āĻ¤āĻŦāĻ¯āĻ¸্āĻ•āĻĻেāĻ° āĻĨ্āĻ°িāĻ˛াāĻ° āĻ¤াāĻ‡ āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸েāĻ° āĻŽাāĻāĻ–াāĻ¨ে āĻšāĻ াā§Ž āĻŽিāĻ¤িāĻ¨ āĻŽাāĻ¸িāĻ° āĻ†āĻ—āĻŽāĻ¨ে āĻŦেāĻļ āĻ…āĻŦাāĻ• āĻšāĻ¤ে āĻšāĻ¯় । āĻ—āĻ˛্āĻĒেāĻ° āĻŦিāĻ¨্āĻ¯াāĻ¸ āĻŦেāĻļ, āĻŦিāĻļেāĻˇ āĻ•āĻ°ে āĻĨ্āĻ°িāĻ˛াāĻ° āĻāĻ° āĻ‰āĻĒāĻ•āĻ°āĻŖ āĻ…āĻ¨ুāĻ¸াāĻ°ে āĻ¸ূāĻ¤্āĻ°েāĻ° āĻœাāĻ˛ āĻŦিāĻ¸্āĻ¤াāĻ° āĻāĻŦং āĻļেāĻˇে āĻ°āĻšāĻ¸্āĻ¯ āĻ‰āĻ¨্āĻŽোāĻšāĻ¨ āĻŦেāĻļ āĻœāĻŽāĻœāĻŽাāĻŸ। āĻ¯াāĻ°া āĻĒāĻĄ়েāĻ¨āĻ¨ি āĻĒāĻĄ়ে āĻĻেāĻ–āĻ¤ে āĻĒাāĻ°েāĻ¨।
āĻ¸ৈāĻ¯়āĻĻা āĻĢাāĻ¤িāĻŽা
May 16, 2019 rated it really liked it
āĻĢোāĻ¨āĻŸা āĻāĻ˛ো āĻĻুāĻĒুāĻ°āĻŦেāĻ˛া।

āĻ‰āĻ¤্āĻ¤āĻ°েāĻ° āĻŦাāĻ°াāĻ¨্āĻĻাāĻ¯় āĻŦেāĻ¤েāĻ° āĻĻোāĻ˛āĻ¨াāĻ¯় āĻĻোāĻ˛ āĻ–াāĻš্āĻ›িāĻ˛ো āĻŦিāĻĻিāĻļা। āĻĻুāĻĒুāĻ°েāĻ° āĻ–াāĻ“āĻ¯়াāĻ° āĻĒাāĻ˛া āĻšুāĻ•িāĻ¯়ে āĻļ্āĻŦāĻļুāĻ°āĻŽāĻļাāĻ‡ āĻļুāĻ¯়ে āĻĒāĻĄ়েāĻ›েāĻ¨, āĻ…āĻ°্āĻšিāĻˇ্āĻŽাāĻ¨āĻ“ āĻ¨িāĻ˛াāĻŽāĻ˜āĻ°ে। āĻāĻ¸āĻŽāĻ¯়āĻŸা āĻ¤াāĻ‡ āĻŦিāĻĻিāĻļাāĻ° āĻ…āĻ–āĻ¨্āĻĄ āĻ…āĻŦāĻ¸āĻ°।

āĻŸিāĻĒāĻŸিāĻĒ āĻŦৃāĻˇ্āĻŸি āĻĒāĻĄ়āĻ›ে। āĻŦাāĻ—াāĻ¨েāĻ° āĻĻোāĻ˛āĻ¨āĻšাঁāĻĒাāĻ° āĻ¨েāĻļা āĻ§āĻ°াāĻ¨ো āĻ¸ুāĻŦাāĻ¸ে āĻšোāĻ– āĻœāĻĄ়িāĻ¯়ে āĻāĻ¸েāĻ›িāĻ˛ āĻŽাāĻ¤্āĻ°। āĻŦেāĻœে āĻ‰āĻ āĻ˛ো āĻ•োāĻ˛েāĻ° āĻ•āĻ°্āĻĄāĻ˛েāĻ¸ āĻ¸েāĻŸāĻŸা। āĻāĻ•āĻŸা āĻšিāĻŽ āĻšিāĻŽ āĻ•āĻ¨্āĻ āĻ¸্āĻŦāĻ° āĻŦāĻ˛ে āĻ‰āĻ āĻ˛ো 'āĻ¸ুāĻ–ে āĻ†āĻ›, āĻŦিāĻĻিāĻļা?'

āĻ˛াāĻ‡āĻ¨āĻŸা āĻ•েāĻŸে āĻĻিāĻ¯়েāĻ›িāĻ˛ āĻŦিāĻĻিāĻļা āĻĒ্āĻ°āĻĨāĻŽāĻŦাāĻ°, āĻšেঁāĻ¯়াāĻ˛ি āĻŦা āĻ‰āĻĄ়ো āĻĢোāĻ¨ āĻ­েāĻŦে। āĻ†āĻŦাāĻ° āĻāĻ˛ো। āĻĒāĻž্āĻšাāĻļ āĻšাāĻœাāĻ° āĻŸাāĻ•া āĻšাāĻ‡āĻ˛ো āĻ°āĻšāĻ¸্āĻ¯āĻŽāĻ¯় āĻ•āĻ¨্āĻ āĻ¸্āĻŦāĻ°। āĻŦিāĻĻিāĻļাāĻ° āĻĒাāĻ¯়েāĻ° āĻ¨িāĻšেāĻ° āĻœāĻ—āĻ¤ āĻŸāĻ˛িāĻ¯়ে āĻĻিāĻ¯়

āĻĢোāĻ¨āĻŸা āĻāĻ˛ো āĻĻুāĻĒুāĻ°āĻŦেāĻ˛া।

āĻ‰āĻ¤্āĻ¤āĻ°েāĻ° āĻŦাāĻ°াāĻ¨্āĻĻাāĻ¯় āĻŦেāĻ¤েāĻ° āĻĻোāĻ˛āĻ¨াāĻ¯় āĻĻোāĻ˛ āĻ–াāĻš্āĻ›িāĻ˛ো āĻŦিāĻĻিāĻļা। āĻĻুāĻĒুāĻ°েāĻ° āĻ–াāĻ“āĻ¯়াāĻ° āĻĒাāĻ˛া āĻšুāĻ•িāĻ¯়ে āĻļ্āĻŦāĻļুāĻ°āĻŽāĻļাāĻ‡ āĻļুāĻ¯়ে āĻĒāĻĄ়েāĻ›েāĻ¨, āĻ…āĻ°্āĻšিāĻˇ্āĻŽাāĻ¨āĻ“ āĻ¨িāĻ˛াāĻŽāĻ˜āĻ°ে। āĻāĻ¸āĻŽāĻ¯়āĻŸা āĻ¤াāĻ‡ āĻŦিāĻĻিāĻļাāĻ° āĻ…āĻ–āĻ¨্āĻĄ āĻ…āĻŦāĻ¸āĻ°।

āĻŸিāĻĒāĻŸিāĻĒ āĻŦৃāĻˇ্āĻŸি āĻĒāĻĄ়āĻ›ে। āĻŦাāĻ—াāĻ¨েāĻ° āĻĻোāĻ˛āĻ¨āĻšাঁāĻĒাāĻ° āĻ¨েāĻļা āĻ§āĻ°াāĻ¨ো āĻ¸ুāĻŦাāĻ¸ে āĻšোāĻ– āĻœāĻĄ়িāĻ¯়ে āĻāĻ¸েāĻ›িāĻ˛ āĻŽাāĻ¤্āĻ°। āĻŦেāĻœে āĻ‰āĻ āĻ˛ো āĻ•োāĻ˛েāĻ° āĻ•āĻ°্āĻĄāĻ˛েāĻ¸ āĻ¸েāĻŸāĻŸা। āĻāĻ•āĻŸা āĻšিāĻŽ āĻšিāĻŽ āĻ•āĻ¨্āĻ āĻ¸্āĻŦāĻ° āĻŦāĻ˛ে āĻ‰āĻ āĻ˛ো 'āĻ¸ুāĻ–ে āĻ†āĻ›, āĻŦিāĻĻিāĻļা?'

āĻ˛াāĻ‡āĻ¨āĻŸা āĻ•েāĻŸে āĻĻিāĻ¯়েāĻ›িāĻ˛ āĻŦিāĻĻিāĻļা āĻĒ্āĻ°āĻĨāĻŽāĻŦাāĻ°, āĻšেঁāĻ¯়াāĻ˛ি āĻŦা āĻ‰āĻĄ়ো āĻĢোāĻ¨ āĻ­েāĻŦে। āĻ†āĻŦাāĻ° āĻāĻ˛ো। āĻĒāĻž্āĻšাāĻļ āĻšাāĻœাāĻ° āĻŸাāĻ•া āĻšাāĻ‡āĻ˛ো āĻ°āĻšāĻ¸্āĻ¯āĻŽāĻ¯় āĻ•āĻ¨্āĻ āĻ¸্āĻŦāĻ°। āĻŦিāĻĻিāĻļাāĻ° āĻĒাāĻ¯়েāĻ° āĻ¨িāĻšেāĻ° āĻœāĻ—āĻ¤ āĻŸāĻ˛িāĻ¯়ে āĻĻিāĻ¯়ে āĻŦāĻ˛āĻ˛ো, 'āĻ¸āĻŦ āĻĢাঁāĻ¸ āĻ•āĻ°ে āĻĻেāĻŦ। āĻ¸āĻŽāĻ¸্āĻ¤ āĻĒ্āĻ°āĻŽাāĻŖ āĻ†āĻ›ে āĻ†āĻŽাāĻ° āĻ•াāĻ›ে।'

āĻ¸āĻ°āĻ¸āĻ° āĻ•āĻ°ে āĻšোāĻ–েāĻ° āĻ¸াāĻŽāĻ¨ে āĻŸুāĻ•āĻ°ো āĻ¸্āĻŽৃāĻ¤ি āĻ‰āĻĄ়ে āĻāĻ˛ো āĻŦিāĻĻিāĻļাāĻ°। āĻ¸েāĻ‡ āĻŽāĻšিāĻŽ āĻšাāĻ˛āĻĻাāĻ° āĻ˛েāĻ¨েāĻ° āĻŦাāĻŦাāĻ° āĻŦাāĻĄ়ি৷ āĻĒāĻ˛েāĻ¸্āĻ¤াāĻ°া āĻ–āĻ¸া āĻĻেāĻ¯়াāĻ˛, āĻ¸āĻ°্āĻŦাāĻ™্āĻ—ে āĻĻাāĻ°িāĻĻ্āĻ°্āĻ¯েāĻ° āĻ›াāĻĒ, āĻ“āĻ–াāĻ¨ে āĻœীāĻŦāĻ¨েāĻ° āĻšāĻŦ্āĻŦিāĻļ āĻŦāĻ›āĻ° āĻ•াāĻŸিāĻ¯়েāĻ›ে āĻŦিāĻĻিāĻļা। āĻŽāĻ§্āĻ¯āĻŦিāĻ¤্āĻ¤ āĻ˜āĻ°েāĻ° āĻ°ূāĻĒāĻ¸ী āĻŽেāĻ¯়েāĻŸি āĻ•āĻŽ āĻŦāĻ¯়āĻ¸েāĻ‡ āĻ¨িāĻœেāĻ° āĻ°ূāĻĒāĻ•ে āĻŦ্āĻ¯āĻŦāĻšাāĻ° āĻ•āĻ°া āĻļিāĻ–ে āĻ¨িāĻ¯়েāĻ›িāĻ˛। āĻŸুāĻ•āĻŸাāĻ• āĻ¯ে āĻļāĻ–āĻ—ুāĻ˛ো āĻŦাāĻŦা-āĻŽা āĻĒূāĻ°āĻŖ āĻ•āĻ°āĻ¤ে āĻĒাāĻ°āĻ¤েāĻ¨ āĻ¨া, āĻ¤াāĻ‡ āĻĒুāĻˇিāĻ¯়ে āĻĻিāĻ¤ āĻ•āĻ˛েāĻœেāĻ° āĻŽিāĻšিāĻ°, āĻ¤াāĻ°āĻ“ āĻ†āĻ—ে āĻ­াāĻ¸্āĻ•āĻ°... āĻ…āĻ°ুāĻŖ... āĻāĻ°āĻĒāĻ° āĻ…āĻ°্āĻ•...!

āĻļ্āĻŦāĻļুāĻ°āĻŽāĻļাāĻ‡ āĻĻিāĻ¨āĻ¨াāĻĨ āĻ°ুāĻĻ্āĻ° āĻ¨িāĻœে āĻŦাāĻĄ়ি āĻŦāĻ¯়ে āĻāĻ¸ে āĻŦিāĻ¯়েāĻ° āĻ•āĻĨাāĻŸা āĻĒেāĻĄ়েāĻ›িāĻ˛েāĻ¨। āĻ°াāĻ¸্āĻ¤াāĻ¯় āĻŦিāĻĻিāĻļাāĻ•ে āĻĻেāĻ–ে āĻ¤াঁāĻ° āĻ­াāĻ°ী āĻ­াāĻ˛ো āĻ˛েāĻ—েāĻ›ে, āĻŽা-āĻŽāĻ°া āĻ›েāĻ˛ে āĻ…āĻ°্āĻšিāĻˇ্āĻŽাāĻ¨েāĻ° āĻœāĻ¨্āĻ¯ āĻāĻŽāĻ¨ āĻ˛āĻ•্āĻˇীāĻ‡ āĻ˜āĻ°ে āĻ¨িāĻ¤ে āĻšাāĻ¨। āĻŦāĻ¨েāĻĻী āĻŦংāĻļ, āĻŦিāĻļাāĻ˛ āĻ†āĻĻি āĻŦ্āĻ¯āĻŦāĻ¸া, āĻ¸āĻ˛্āĻŸāĻ˛েāĻ•ে āĻĒ্āĻ°াāĻ¸াāĻĻেāĻ° āĻŽāĻ¤ো āĻŦাāĻĄ়ি - āĻŦāĻ¯়āĻ¸েāĻ° āĻĒাāĻ°্āĻĨāĻ•্āĻ¯ āĻĨাāĻ•āĻ˛েāĻ“ āĻŦিāĻĻিāĻļাāĻ° āĻŽা-āĻŦাāĻŦাāĻ° āĻ†āĻĒāĻ¤্āĻ¤ি āĻ•āĻ°াāĻ° āĻ•োāĻ¨ো āĻ•াāĻ°āĻŖ āĻ›িāĻ˛। āĻŦ্āĻ¯āĻ¸, āĻ°ূāĻĒāĻ•āĻĨাāĻ° āĻ—āĻ˛্āĻĒেāĻ° āĻŽāĻ¤োāĻ‡ āĻ¸āĻŦ āĻ­ুāĻ˛ে āĻ˜ুঁāĻŸেāĻ•ুāĻĄ়াāĻ¨ি āĻĨেāĻ•ে āĻ°াāĻœāĻ°াāĻŖী āĻšāĻ¯়ে āĻ—েāĻ˛ āĻŦিāĻĻিāĻļা।

āĻ•িāĻ¨্āĻ¤ু āĻ¸েāĻ¸āĻŦ āĻœীāĻŦāĻ¨ āĻ¤ো āĻĒেāĻ›āĻ¨ে āĻĢেāĻ˛ে āĻāĻ¸েāĻ›ে āĻ•āĻŦেāĻ‡। āĻ•ে āĻ†āĻŦাāĻ° āĻ¨িāĻ¸্āĻ¤āĻ°āĻ™্āĻ— āĻĒুāĻ•ুāĻ°ে āĻĸেāĻ‰ āĻ¤ুāĻ˛āĻ˛ো? āĻ˛ুāĻ•িāĻ¯়ে āĻ—āĻ¯়āĻ¨া āĻŦেāĻšে āĻŸাāĻ•া āĻœুāĻ—িāĻ¯়েāĻ“ āĻ¨িāĻ¸্āĻ¤াāĻ° āĻĒেāĻ˛ো āĻ¨া, āĻ†āĻŦাāĻ° āĻāĻ˛ো āĻĢোāĻ¨āĻŸা। āĻāĻŦাāĻ° āĻšাāĻ‡ āĻĻু āĻ˛াāĻ–। āĻŦাāĻĒেāĻ° āĻŦাāĻĄ়িāĻ¤ে āĻ¸āĻ¸্āĻ¤াāĻ° āĻ–োāĻĒে āĻ˛ুāĻ•িāĻ¯়ে āĻ°াāĻ–া āĻĒ্āĻ°েāĻŽāĻĒāĻ¤্āĻ°āĻ—ুāĻ˛োāĻ“ āĻšুāĻ°ি āĻšāĻ¯়ে āĻ—েāĻ˛! āĻ¤াāĻ°āĻĒāĻ° āĻ˜āĻŸে āĻ—েāĻ˛ āĻ¨ৃāĻļংāĻ¸ āĻāĻ• āĻšāĻ¤্āĻ¯াāĻ•াāĻŖ্āĻĄ!

āĻŦিāĻĻিāĻļাāĻ•ে āĻ†āĻŽূāĻ˛ āĻ•াঁāĻĒিāĻ¯়ে āĻĻিāĻ¯়ে āĻ¸েāĻ‡ āĻĒুāĻ°āĻ¨ো āĻ§াāĻ¤āĻŦ āĻ•āĻ¨্āĻ āĻ¸্āĻŦāĻ° āĻŦেāĻœে āĻ‰āĻ āĻ˛ো āĻĢোāĻ¨ে 'āĻ•েāĻŽāĻ¨ āĻ˛াāĻ—āĻ›ে āĻāĻ–āĻ¨, āĻŦিāĻĻিāĻļা?'

āĻ•ে āĻāĻ‡ āĻ–ুāĻ¨ী āĻŦ্āĻ˛্āĻ¯াāĻ•āĻŽেāĻ‡āĻ˛াāĻ°? āĻŦিāĻĻিāĻļাāĻ° āĻ…āĻ¤ীāĻ¤ āĻ˛োāĻ­ āĻ†āĻ° āĻ¸্āĻŦাāĻ°্āĻĨāĻĒāĻ°āĻ¤াāĻ° āĻļাāĻ¸্āĻ¤ি āĻĻেāĻ“āĻ¯়াāĻ° āĻĻাāĻ¯়িāĻ¤্āĻŦ āĻ¨িāĻ¯়েāĻ›ে? āĻ•োāĻ¨ো āĻĒুāĻ°āĻ¨ো āĻĒ্āĻ°েāĻŽিāĻ•? āĻ†āĻĒāĻ¨ āĻ…āĻ•āĻ°্āĻŽāĻŖ্āĻ¯ āĻĻাāĻĻা āĻšিāĻ¤্āĻ°āĻ­াāĻ¨ু? āĻ¨াāĻ•ি āĻ¸্āĻŦাāĻŽী āĻ…āĻ°্āĻšিāĻ¸্āĻŽাāĻ¨āĻ‡?

āĻ¸াāĻšাāĻ¯্āĻ¯ āĻ•āĻ°āĻ¤ে āĻāĻ—িāĻ¯়ে āĻāĻ˛ো āĻ—োāĻ¯়েāĻ¨্āĻĻা āĻĒ্āĻ°āĻœ্āĻžাāĻĒাāĻ°āĻŽিāĻ¤া āĻŽুāĻ–াāĻ°্āĻœি āĻ“āĻ°āĻĢে āĻŽিāĻ¤িāĻ¨।

āĻ¸ুāĻšিāĻ¤্āĻ°া āĻ­āĻŸ্āĻŸাāĻšাāĻ°্āĻ¯েāĻ° āĻ¤াāĻ° āĻ¸ৃāĻˇ্āĻŸ āĻ—োāĻ¯়েāĻ¨্āĻĻা āĻšāĻ°িāĻ¤্āĻ° āĻŽিāĻ¤িāĻ¨āĻ•ে āĻ¨িāĻ¯়ে āĻ¯েāĻŽāĻ¨ āĻ•িāĻļোāĻ° āĻ•াāĻšিāĻ¨ী āĻ˛িāĻ–েāĻ›েāĻ¨, āĻ¤েāĻŽāĻ¨ি āĻ˛িāĻ–েāĻ›েāĻ¨ āĻŦāĻĄ়āĻĻেāĻ° āĻœāĻ¨্āĻ¯āĻ“। āĻšাāĻ° āĻŦāĻ›āĻ°েāĻ° āĻ›েāĻ˛ে āĻŦুāĻŽāĻŦুāĻŽ āĻ†āĻ° āĻ¸্āĻŦাāĻŽী āĻĒাāĻ°্āĻĨāĻ•ে āĻ¨িāĻ¯়ে āĻŽিāĻ¤িāĻ¨েāĻ° āĻ¸ংāĻ¸াāĻ°। āĻāĻ°āĻŽাāĻেāĻ‡ āĻ¤াāĻ° āĻļāĻ–েāĻ° āĻ—োāĻ¯়েāĻ¨্āĻĻাāĻ—িāĻ°ি। āĻ¸্āĻŦাāĻŽীāĻĒ্āĻ°āĻŦāĻ°āĻŸি āĻŽāĻ¨āĻ–োāĻ˛া āĻŽāĻœাāĻ° āĻŽাāĻ¨ুāĻˇ, āĻ¨িāĻœেāĻ•ে āĻ¨িāĻ°্āĻĻ্āĻŦিāĻ§াāĻ¯় āĻŽিāĻ¤িāĻ¨েāĻ° āĻ¸āĻšāĻ•াāĻ°ী āĻĒāĻ°িāĻšāĻ¯় āĻĻেāĻ¯়। āĻĻুāĻœāĻ¨ে āĻŽিāĻ˛েāĻ‡ āĻ—োāĻ¯়েāĻ¨্āĻĻাāĻ—িāĻ°িāĻŸা āĻ•āĻ°ে, āĻ¤āĻŦে āĻŦুāĻĻ্āĻ§ি āĻ–েāĻ˛াāĻ¨োāĻ° āĻ•াāĻœāĻŸা āĻŽিāĻ¤িāĻ¨েāĻ°।

āĻ¸ুāĻšিāĻ¤্āĻ°া āĻ­āĻŸ্āĻŸাāĻšাāĻ°্āĻ¯েāĻ° āĻ˛েāĻ–াāĻ° āĻŽূāĻ˛ āĻŦৈāĻļিāĻˇ্āĻŸ্āĻ¯ āĻšāĻ˛ো āĻ¤িāĻ¨ি āĻŽেāĻ¯়েāĻĻেāĻ° āĻ¨িāĻ¯়ে āĻ˛েāĻ–েāĻ¨, āĻŽেāĻ¯়েāĻĻেāĻ° āĻœāĻ¨্āĻ¯ āĻ˛েāĻ–েāĻ¨। āĻ¤াāĻ° āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸েāĻ° āĻ•েāĻ¨্āĻĻ্āĻ°ীāĻ¯় āĻšāĻ°িāĻ¤্āĻ° āĻ¤াāĻ‡ āĻ¨াāĻ°ীāĻ‡ āĻšāĻ¨। āĻ¸ুāĻšিāĻ¤্āĻ°াāĻ° āĻŽāĻ¤ো āĻ•āĻ°ে āĻ¨াāĻ°ীāĻ° āĻŽāĻ¨āĻ¸্āĻ¤āĻ¤্āĻ¤্āĻŦে āĻ‰ঁāĻ•ি āĻĻিāĻ¤েāĻ“ āĻ†āĻ° āĻ•েāĻ‰ āĻĒাāĻ°েāĻ¨ āĻ¨া।

āĻŦিāĻĻিāĻļাāĻ° āĻšāĻ°িāĻ¤্āĻ°āĻŸিāĻ“ āĻ˛েāĻ–িāĻ•া āĻĢুāĻŸিāĻ¯়ে āĻ¤ুāĻ˛েāĻ›েāĻ¨ āĻāĻŽāĻ¨āĻ‡ āĻāĻ• āĻĻāĻ•্āĻˇāĻ¤াāĻ¯়। āĻŽāĻ§্āĻ¯āĻŦিāĻ¤্āĻ¤ āĻĒāĻ°িāĻŦাāĻ°ে āĻ°ূāĻĒ-āĻ˛াāĻŦāĻŖ্āĻ¯āĻ•ে āĻĒুঁāĻœি āĻ•āĻ°ে āĻŦিāĻĻিāĻļাāĻ° āĻĒāĻĨ āĻšāĻ˛া, āĻāĻŦং āĻāĻ•āĻ¸āĻŽāĻ¯় āĻ…āĻ°্āĻĨāĻŦিāĻ¤্āĻ¤েāĻ° āĻ˛োāĻ­ে āĻŦিāĻ¯়ে āĻ•āĻ°ে āĻĢেāĻ˛াāĻŸা āĻĒ্āĻ°াāĻĨāĻŽিāĻ• āĻĻৃāĻˇ্āĻŸিāĻ¤ে āĻ¨াāĻ°ীāĻ¤্āĻŦেāĻ° āĻĒ্āĻ°āĻ¤ি āĻ…āĻĒāĻŽাāĻ¨ āĻŽāĻ¨ে āĻšāĻ¤ে āĻĒাāĻ°ে। āĻ•িāĻ¨্āĻ¤ু āĻ¤āĻ˛িāĻ¯়ে āĻ­াāĻŦāĻ˛ে āĻāĻŽāĻ¨ āĻšāĻ°িāĻ¤্āĻ° āĻ–ুāĻŦ āĻŦাāĻ¸্āĻ¤āĻŦ, āĻ†āĻŽাāĻĻেāĻ° āĻšাāĻ°āĻĒাāĻļেāĻ‡ āĻ†āĻ›ে। āĻ¯āĻĻিāĻ“ āĻŦিāĻ¯়েāĻ° āĻĒāĻ° āĻŦৈāĻ­āĻŦেāĻ° āĻœীāĻŦāĻ¨ে āĻŦিāĻĻিāĻļা āĻœীāĻ°্āĻŖ āĻŦাāĻĒেāĻ° āĻŦাāĻĄ়িāĻ•ে āĻ•āĻ°ুāĻ¨াāĻ° āĻšোāĻ–ে āĻĻেāĻ–ে, āĻ•িāĻ¨্āĻ¤ু āĻ¤াāĻ° āĻ“āĻĒāĻ° āĻ িāĻ• āĻ°াāĻ— āĻšāĻ¯় āĻ¨া। āĻŦāĻ°ং āĻĒাāĻ āĻ•েāĻ° āĻ¤াāĻ° āĻœāĻ¨্āĻ¯ āĻāĻ•āĻ°āĻ•āĻŽ āĻŽাāĻ¯়াāĻ‡ āĻšāĻŦে।

āĻŽাāĻ¨āĻŦāĻšāĻ°িāĻ¤্āĻ°েāĻ° āĻœāĻŸিāĻ˛ āĻ¸āĻŽীāĻ•āĻ°āĻŖেāĻ° āĻĒাāĻļাāĻĒাāĻļি, āĻ—āĻ˛্āĻĒেāĻ° āĻ°āĻšāĻ¸্āĻ¯েāĻ° āĻœাāĻ¯়āĻ—াāĻŸাāĻ“ āĻ˛েāĻ–িāĻ•া āĻ°েāĻ–েāĻ›েāĻ¨ āĻāĻ•āĻĻāĻŽ āĻ িāĻ•āĻ াāĻ•। āĻšāĻŽā§ŽāĻ•াāĻ° āĻ¸āĻŦ āĻŽোāĻĄ় āĻ†āĻ›ে āĻ•াāĻšিāĻ¨ীāĻ¤ে, āĻŸাāĻ¨āĻŸাāĻ¨ āĻ‰āĻ¤্āĻ¤েāĻœāĻ¨া, āĻ—āĻ˛্āĻĒেāĻ° āĻ—āĻ¤ি āĻāĻŦং āĻĒāĻ°িāĻŖāĻ¤ি āĻ¸āĻŦ āĻ¯ুā§ŽāĻ¸āĻ‡ āĻŦāĻ˛া āĻ¯াāĻ¯়। āĻ¸েāĻ‡āĻ¸াāĻĨে āĻ†āĻ›ে āĻŽিāĻ¤িāĻ¨েāĻ° āĻŦুāĻĻ্āĻ§িāĻ° āĻ§াāĻ° āĻāĻŦং āĻĒাāĻ°্āĻĨāĻ•ে āĻ¸াāĻĨে āĻ¨িāĻ¯়ে āĻ°āĻšāĻ¸্āĻ¯েāĻ° āĻ¸ুāĻ¤াāĻ—ুāĻ˛ো āĻœোāĻĄ়া āĻ˛াāĻ—াāĻ¨ো।

āĻ¤āĻŦে āĻāĻŸিāĻ•ে āĻ•েāĻŦāĻ˛ āĻ°āĻšāĻ¸্āĻ¯ āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸ āĻŦāĻ˛া āĻšāĻ˛ে āĻ¨া। āĻĢেāĻ˛ে āĻ†āĻ¸া āĻĒাāĻĒেāĻ° āĻāĻ˛āĻ•, āĻ…āĻ¨্āĻ¯াāĻ¯়েāĻ° āĻŽূāĻ˛্āĻ¯ āĻšুāĻ•াāĻ¨ো āĻāĻŦং āĻĒāĻ°িāĻ¤াāĻĒেāĻ° āĻ—āĻ˛্āĻĒ āĻŦāĻ˛েāĻ›েāĻ¨ āĻ¸ুāĻšিāĻ¤্āĻ°া āĻ­āĻŸ্āĻŸাāĻšাāĻ°্āĻ¯। āĻ˛োāĻ­-āĻ•াāĻŽāĻ¨া-āĻŦাāĻ¸āĻ¨াāĻ° āĻ¯ে āĻĒাāĻĒ, āĻ¤াāĻ° āĻĻাāĻŽ āĻ¨া āĻĻিāĻ¯়ে āĻŽাāĻ¨ুāĻˇেāĻ° āĻĒাāĻ˛িāĻ¯়ে āĻĨাāĻ•āĻ¤ে āĻĒাāĻ°ে āĻ¨া।

āĻšেāĻ¨াāĻœাāĻ¨া āĻšāĻ°িāĻ¤্āĻ°েāĻ° āĻ—āĻ˛্āĻĒ āĻ¨িāĻ¯়ে āĻœীāĻŦāĻ¨েāĻ° āĻĒ্āĻ°āĻ¤িāĻš্āĻ›āĻŦি āĻ†ঁāĻ•া āĻ¸ুāĻšিāĻ¤্āĻ°া āĻ­āĻŸ্āĻŸাāĻšাāĻ°্āĻ¯েāĻ° āĻ°āĻšāĻ¸্āĻ¯ āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸ 'āĻĒাāĻ˛াāĻŦাāĻ° āĻĒāĻĨ āĻ¨েāĻ‡'।

āĻŦāĻ‡: āĻĒাāĻ˛াāĻŦাāĻ° āĻĒāĻĨ āĻ¨েāĻ‡

āĻ˛েāĻ–িāĻ•া: āĻ¸ুāĻšিāĻ¤্āĻ°া āĻ­āĻŸ্āĻŸাāĻšাāĻ°্āĻ¯

āĻĒ্āĻ°āĻ•াāĻļāĻ¨াāĻ¯়: āĻ†āĻ¨āĻ¨্āĻĻ āĻĒাāĻŦāĻ˛িāĻļাāĻ°্āĻ¸

āĻĒ্āĻ°āĻ•াāĻļāĻ•াāĻ˛: āĻœাāĻ¨ুāĻ¯়াāĻ°ি, ā§¨ā§Ļā§Ļā§Ļ

āĻĒৃāĻˇ্āĻ াāĻ¸ংāĻ–্āĻ¯া: ā§§ā§­ā§¨

āĻ­াāĻ°āĻ¤ীāĻ¯় āĻŽূāĻ˛্āĻ¯: ā§­ā§Ļ āĻŸাāĻ•া

...more
Denim Datta
Nice book. āĻŽিāĻ¤িāĻ¨ āĻŽাāĻ¸ী - āĻŦāĻ™্āĻ—āĻ¸াāĻšিāĻ¤্āĻ¯েāĻ° āĻ†āĻ° āĻāĻ• āĻ—োāĻ¯়েāĻ¨্āĻĻা āĻšāĻ°িāĻ¤্āĻ°|
Ratika Khandoker
Suneha Ganguly
Debarpita Bose
Bibi Rasheda Afrin Rumi
Naima Islam
Drdebolina Pramanick
Somedutta Bhattacharjee
Sakib Sarwar Ahmed
Broti Bhattacharya
Her writing focuses on contemporary social issues. She is a perceptive observer of the changing urban milieu and her writing closely examines the contemporary Bengali middle class. Crisis in human relationships and the changing values of the present era along with degeneration of the moral fibre of the society in the backdrop of globalisation and consumerism are depicted in her prose. Exploitation Her writing focuses on contemporary social issues. She is a perceptive observer of the changing urban milieu and her writing closely examines the contemporary Bengali middle class. Crisis in human relationships and the changing values of the present era along with degeneration of the moral fibre of the society in the backdrop of globalisation and consumerism are depicted in her prose. Exploitations and sufferings of women regardless of their social or economic identities find a distinct voice in her writing. While she is famous for her writing on women's issues, she does not consider herself as a feminist. She took up many odd jobs in her early youth and finally joined the public service which she left in 2004 to become a fulltime writer. Her long career is reflected in many of her stories and novels.

Over the past two decades, Suchitra has written about 24 novels and a large number of short stories in different leading Bangla literary magazines. Some of her acclaimed novels are Kachher Manush (Close to Me), Dahan (The Burning), Kacher Dewal(The Wall Of Glass), Hemonter Pakhi(Bird of Autumn), Neel Ghurni, Aleek Shukh(Heavenly happiness), Gabhir Ashukh (A Grave Illness), Uro Megh(Flying Cloud), Chhera Taar, Alochhaya(Shadows Of Light), Anyo Basanto(Another Spring), Parabas, Palabar Path Nei, Aami Raikishori, Rangin Pritibi and Jalchhobi among others. Her novels and short stories have been translated into many Indian languages such as Hindi, Tamil, Telugu, Malayalam, Oriya, Marathi, Gujarati, Punjabi and English. She also writes novels and short stories for children. Her novel Dahan was made into a movie by famous Bengali director, Rituparno Ghosh.

...more

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